The Act of Sound
Friday, 3 September, 16:45 - 18:01 / Kijkhuis 1
Saturday, 4 September, 14:20 - 15:51 / Kijkhuis 1
The relationship between sound and image is vital to cinema and plays an essential role in its narratives. The vibration of a sound creates a note and the repetition of notes creates a rhythm. Music becomes a narrative device. The sounds of our bodies and the surrounding music create the score of our lives, oscillating them in new ways and guiding them towards alternative realities. Open your ears, but don’t close your eyes.
On Saturday 4 September, Ratchapoom Boonbunchachoke (Red Aninsri; or, Tiptoeing on the Still Trembling Berlin Wall) will join us for a Q&A.
Duration
91 min.
One Thousand and One Attempts to Be an Ocean reflects on the experience of not being able to see the world with depth perception. Made up of micro- events from "satisfying video" that swarm on the internet, the abstract narrative unfolds through an appropriation way by referring to trance and minimal music.
A foley artist creates sounds for a film starring a dressage horse and dissolves into his own imitation. Shot on 16mm film, PASSAGE winks at Eadweard Muybridge’s pre-cinematic experiments with horses.
The queer espionage film made in the tradition of Cold-War-era Thai dubbed film. A ladyboy prostitute-cum-spy is assigned a mission to disguise as a cis-masculine gay to acquire important information from an idealistic student activist.
Following The Glamorous Boys of Tang (2018), The Women’s Revenge is the latest iteration of Su Hui-yu’s ‘Re-shooting’ series where he resurrects the ghosts of Taiwanese film history through dynamic re-enactment.