Rage Against the Colonial Machine
Saturday, 11 June, 13:15 - 14:45 / Kijkhuis 2
Sunday, 12 June, 19:30 - 21:05 / Kijkhuis 1
In a supposedly postcolonial world, colonial patterns are being reproduced time and time again. The films in this session show how the effects of colonialism still persist today, how the colonial past haunts individual and collective memory, and how history repeats itself. Politically, a country might have gained independence, but what does it take to decolonise our minds?
Tags: Environment, History, Politics, Agency
On Saturday 11 June, Fransix Tenda (director of Kelasi) will join us for a Q&A. On Sunday 12 June, Kim Kokosky Deforchaux (director of Hantu) will join us for a Q&A.
Duration
90 min.
Lies, an eldery widow from the Dutch East Indies, has been living in the Netherlands ever since Indonesia became independent. She talks to her son on the phone on a daily basis, but doesn't want to burden him with the traumas of post-colonial turmoil that still haunt her every night.
Interested in its parallels with the fate of the Jaffa oranges, the filmmaker tells her father about her intention to film the last orange grove in Los Angeles. Their disagreement transforms the grove into a space for contemplation on the politics of storytelling in the multigenerational experience of Palestine in exile.
Heat Waves comprises twin montages of historical and contemporary imagery and videos (filmed and found). Together they examine the contexts, politics, and proliferation of the many aesthetics of heat.
The first animated film by visual artist Fransix Tenda Lomba is a kind of parcours through Congo’s historical education systems – and an analysis of the ideological function of the institution of the school.
The story of a grandfather’s perilous swim from China to Hong Kong that parallels his granddaughter’s own quest for a new freedom.