On Making Film
Friday, 15 September, 18:15 - 19:30 / Kijkhuis 1
How do we make films? Bluntly, one could say it is about images paired with sound. Yet, films are coded—by genres, by history, by technical constraints, and by societal expectations. The films in the session are incredibly aware of these codes. They playfully deconstruct their own making, show the behind-the-scenes, and experiment with new captivating forms.
Content warning: sex, nudity
Duration
75 min.
A personal and sexual diary. A fake user’s manual whose sophistication and audaciousness free it from the traps of what has to be said and the agenda of commonplace.
In an anonymous police station, F.K.asks the Law for help in the attempt to report the abuses he has been through.He will end up stuck in an endless nightmare
The queer espionage film made in the tradition of Cold-War-era Thai dubbed film. A ladyboy prostitute-cum-spy is assigned a mission to disguise as a cis-masculine gay to acquire important information from an idealistic student activist.
A foley artist creates sounds for a film starring a dressage horse and dissolves into his own imitation. Shot on 16mm film, PASSAGE winks at Eadweard Muybridge’s pre-cinematic experiments with horses.